{"id":2830,"date":"2023-06-23T11:17:41","date_gmt":"2023-06-23T11:17:41","guid":{"rendered":"https:\/\/taratw.com\/?p=2830"},"modified":"2023-06-23T19:56:10","modified_gmt":"2023-06-23T19:56:10","slug":"borzou-daragahi-visualstorytelling","status":"publish","type":"post","link":"https:\/\/taratw.com\/borzou-daragahi-visualstorytelling\/","title":{"rendered":"Borzou Daragahi explains why writers first need to be visual storytellers"},"content":{"rendered":"\n

Don\u2019t quote me on that… <\/em><\/p>\n\n\n\n

It\u2019s a warning Borzou Daragahi has been given many times while traversing the Middle East — and on this occasion, it came from a man holding onto the barrel of a Kalashnikov.<\/em><\/p>\n\n\n\n

This is not just good storytelling, it’s also good visual storytelling, painting a vivid picture with words that’s drills deep into the reader’s mind. And it’s not too radical to say that accomplishing this is quite similar to how other visual storytellers, say in television or photography, elevate their narratives. By getting out of the office, and exploring environments filled with interesting sensory details, and taking the audience with them for the ride. <\/p>\n\n\n\n

Daragahi has done this in conflict zones in Iraq, Syria, Lebanon, and Egypt. And while he\u2019s first and foremost a print reporter, he says it\u2019s critical that he thinks like a visual storyteller. <\/p>\n\n\n\t\t

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Instagram will load in the frontend.<\/blockquote>